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George Wombwell, menagerist,
part 1

George Wombwell was born in Duddenhoe End, near Saffron Walden, on the 24th of December 1777. He was the son of James Wombwell and Sarah Rogers.
James married Sarah Rogers at the church of St Michael the Archangel in Braintree on the 10th of February, 1760. The register entry has his surname spelt UMBLEY, and curious spellings seem to be the norm for this family until they settle in the North-West Essex area. The marriage was witnessed by Robert Collis and Daniel Rogers, both of whom appear to have written their own names in the parish register. I don’t know whether Daniel was any relation to the bride.
Sarah herself was the daughter of Samuel and Sarah Rogers, and she had been christened at the same church twenty-three years earlier, on 8th February 1737. James was born in 1739.

In his early life George had a passion for domestic pets, and took great pleasure in rearing birds, rabbits, dogs and other animals. If any of them fell ill or became injured he nursed them with care and would seek advice from his family doctor as to how to treat his pets.

George’s pre Menagerie years don’t appear to be documented, save that he moved to London in 1800, and ran a cordwainer’s shop. For those who don’t know, a cordwainer is somebody who makes leather goods, including shoes. This being distinct from a cobbler, who traditionally repairs shoes. The shop was in Monmouth Street, Seven Dials, then a famous mart of the second-hand clothes trade, and now called Dudley Street. However a change of career presented its self, when he bought 2 Boa Constrictors from a sailor at the London docks for 70 guineas, and started exhibiting them in local hostelries. There is an interesting advert in the Bristol Mercury and Universal Advertiser from September 1807:
“EXTRAORDINARY REPTILES
Amongst the Number of Natural Curiosities arrived in this City, there seems none to equal or rival the Two wonderful Siboya Serpents. Those Ladies and Gentlemen who have already seen these extraordinary Reptiles, are so highly gratified with the sight of them, that the Proprietor flatters himself, from their high Recommendation that all ranks of people will gratify their curiosity, as they are undoubtedly the only ones of the Kind ever exhibited in the kingdom alive.
To be seen at a commodious room at the White Swan, St. James’s Back.
N.B. The Proprietor gives the utmost value for Foreign Birds and curious animals”.
This may well have been George’s exhibition, as Siboya is an island off Thailand renowned for Boa Constrictors.

Within 3 weeks George had recouped his investment and a substantial profit. He realised that there was money to be made by showing wild beasts and started to purchase exotic animals mainly from ships returning to London from around the far flung corners of the British Empire. George had a great love for all animals, and a natural flair for animal husbandry.

His first exhibition was at Bartholomew fair, at Smithfield, in 1804. He became an importer of wild animals and proprietor of one of the largest and finest menageries that ever travelled and that he predated Jamrach and Eice(famous wild beast importers of the Victorian era) is proved by the existence of a small yellow card, bearing a woodcut of a tiger, and the inscription

WOMBWELL,
Wild Beast Merchant,
All sorts of foreign Animals, Birds etc. bought, sold, or exchanged, at the repository of the Travelling Menagerie,
Commercial Road,
London.
If anyone reading has one of these cards, or a photo or scan, I’d be much obliged.

In order to secure animals, he kept in touch with the pilots on the Thames and elsewhere, so that when the East Indiamen and the other foreign sea going ships entered the Downs with wild animals aboard, George was promptly notified and got the first chance of buying them. Later, George engaged agents specially to watch the ships arrivals.

In 1805 the Wombwell’s travelling menagerie proper took to the road.
George continued to amass all sorts of wild beasts, including a pair of Giraffes which cost the then huge sum of £1800! They were taken to Commercial road whilst he set a team of men to build a portable cage for the creatures, sadly before the waggon was finished the poor beasts died 3 weeks later, as a result of the cold English weather

In 1825 George was in London, buying wild beasts, and was incensed to learn his major rival Thomas Atkins was advertising “the only wild beast show in London” at Bartholomew fair. And so he set off from London to Newcastle where his menagerie was currently showing, and brought it back to London, which took 10 days. It was a herculean task, as he exhibited each night on the road. He had 14 huge waggons,  and between 50 to 60 horses, the Elephant’s waggon alone requiring at least 12 horses to pull it. This waggon was 30 feet long, 13 feet in height, and 9 feet wide. It had 6 wheels, each of the tyres being 18 inches wide, each wheel weighed 7 cwt. Dragging this waggon up a steep hill often required the efforts of more than 30 horses. On arrival in London both horses and men were spent, and the next morning George discovered his Elephant had died.

Atkins countered this by advertising “the only living Elephant at the fair”. George responded by saying ‘You Sir, might own the only live elephant at this fayre, but I owns the only dead’un. Now, a live elephant is not a great rarity, but the chance of seeing a dead’un, comes only once now and again!’ and did much better business than Atkins who eventually became proprietor of the Liverpool Zoological Gardens.

George had a pet Lion called  Nero, who by all accounts was a friendly beast who would let children ride on his back, and apparently slept at the foot of George’s bed! Perhaps he’s the Lion talked about by Susan Tebby?
Wallace, his other pet lion, was an all together more aggressive animal.   During King James’ reign there were Lion fights at the Tower of London. There had been a Royal menagerie at the Tower from the 13th century. In 1825 whilst in the Midlands, George overheard several chaps discussing this. Two separate fights between dogs and the two Lions were organised.
“The combats were said to have originated in a bet between two sporting gentlemen, and the dogs were six bull-dogs, and attacked the lion in “heats “of three. The first fight, was between Nero and the dogs, and took place in July, 1825; at which time the menagerie was located in the Old Factory Yard, in the outskirts of Warwick, on the road to Northampton. This not being considered satisfactory and conclusive, a second encounter was arranged, in which Wallace,the younger animal, was substituted for the old lion, with very different results. Every dog that faced the Lion was mauled and disabled, the last being carried about in Wallace’s mouth as a rat is by a terrier or a cat”.  (from Old showmen and the old London fairs by Thomas Frost).

Among the more bizarre items in the Saffron Walden Museum in Essex is a stuffed lion, George Wombwell’s Wallace! Born in Edinburgh in 1812, Wallace was the first African lion to be bred in England and was perhaps named after William Wallace, the Scottish freedom fighter.
Wallace’s temperament remained something less than meek throughout his life.  Two years after the Warwick fight he attacked a man named Jonathan Wilson who (as the Leeds Mercury noted) “imprudently and incautiously” placed his hand upon the bottom of Wallace’s cage between the grating.  Wallace attacked and seized the man’s arm with his fangs.  Fortunately the keeper was at hand, “and by his prompt, spirited and efficient exertions” – what ever those might be – succeeded in saving both the man and his arm from Wallace.  A week later the Leeds Mercury posted the following:

“Jonathan Wilson, whose arm was severly bitten and torn at our fair, by Wombwell’s lion, Wallace … continued in a favourable state until Saturday, when the arm was suddently attacked by violent inflammation, followed rapidly by mortification [of the arm, not Wilson].  In this state he continued till Wednesday morning, when he died at his own home, having, the day before, requested to be moved thither from the infimary.”

It was almost certainly this particular Wallace (the name became a popular one for lions) that inspired Marriott Edgar’s poem “The Lion and Albert” which relates the quaintly vicious story of a young boy named Albert who was eaten by a lion at the zoo:

There were one great big Lion called Wallace;
His nose were all covered with scars -
He lay in a somnolent posture,
With the side of his face on the bars.

Now Albert had heard about Lions,
How they was ferocious and wild  -
To see Wallace lying so peaceful,
Well, it didn’t seem right to the child.

So straightway the brave little feller,
Not showing a morsel of fear,
Took his stick with its ‘orse’s ‘ead ‘andle
And pushed it in Wallace’s ear.

You could see that the Lion didn’t like it,
For giving a kind of a roll,
He pulled Albert inside the cage with ‘im,
And swallowed the little lad ‘ole.

By early July in 1838, Wallace was in sad decline.  A journalist for the local Wolverhampton newspaper noted the difference in the lion from his last visit: “Numerous persons who have visited the Menagerie over the past week have had their feelings unusually excited by the worn out appearance of their old favourite lion, Wallace. This once fine and noble creature seems to be gradually sinking from premature old age and is at times so weak as scarcely to be able to support his own weight.”

After Wallace’s death in 1838, he was sent to the Saffron Walden Museum by stagecoach. A framework for his body was made of wooden struts and wires, over which his skin was stretched and stuffed with wood shavings. He was mounted with his left front paw theatrically posed on the figure of a dog, in remembrance of his triumph in the fighting pit. The first museum catalogue published in 1845 reads:

“Lion Barbarus Grey (The Lion Wallace) Presented by Mr. G. Wombwell. This animal is remarkable as the first lion bred in this country and was during his life of 25 years in collection of Mr. G. Wombwell, surviving his battle with the dogs at Warwick, several years”.
It’s also been revealed that in all likelihood the ” Big Cats” that are spotted in places like Bodmin moor are the descendants of various large felines that escaped from circuses and menageries through the years.

The cover of “The life of George Wombwell”

To be continued……

Dr Feelgood and the Pirates

Originally posted on Psychedelicgaragepunk.com on November the 4th 2008.

On the 11th of August, I had my second rehearsal with Second Offense, having had the first one on the 29th of July. Ralph initially called me in June, offering his services as a dep for George, the Surf Rats drummer. But he also asked me whether I’d be interested in singing with his band, who he described as Dr Feelgood / Pirates clones, which certainly intrigued me, as I love both bands.

The first time I saw the Feelgoods was in 1973, at the Alexandra palace, which essentially I went to to see the New York Dolls, though 10cc were the headline band, who I had no interest in at the time.

I went to the gig with great anticipation, I was actually going to see the Dolls!!! And what a beautiful looking venue the Alley Pally was in those days, I can recall lots of glass, and big palm trees, like a giant greenhouse. It must have been a nightmare for the sound crew, with all those shiny surfaces for the sound to bounce off of. There were lots of really strange looking Transvestites hanging out pretty close to the front of the stage, where we’d made our camp, Bob Mardon, Sally Butcher and I. I saw Chris Spedding chatting with a couple of these weird people, he looked so cool, black quiffed with black motorcycle leathers and winkle picker boots (a look very similar to the band he’d go on to produce in their early days, the Sex Pistols) and really stood out in the crowd, though I didn’t know who he was until he took the stage with Sharks, who followed Dr Feelgood on the bill.

Wilko

Dr Feelgood came on, dressed in what looked like de-mob suits (a cheap suit issued to soldiers who had finished National service, in the British army, in the 1950’s), very austere and 60’s. Lee Brilleaux, the singer, and Wilko Johnson, the guitarist, immediately caught everyone’s attention, Lee chain smoking Number Six cigarettes, (ah! those were the days, my favourite cigarette, sadly no longer available) blowing a mean blues harp, and vocally sounding like Howlin’ Wolf’s Canvey Island cousin, looking really psycho!. Wilko looking and acting like an escaped lunatic, leaping and running about like a man possessed, wielding his Telecaster like a machine gun. Chicken hawk gusto, as Al once described me! To me, this was the most mind blowing live Rock’n’Roll I’d ever heard. Loud and aggressive, obviously with it’s roots in British R’n’B, i.e. the Stones, the Pretty Things (who I’d loved since hearing “Rosalind”). And in retrospect, very much like latter period Pirates. But it was closer to the noise of the Stooges than the Stones, Punk Rock before Punk Rock had happened!!!

Also, as I mentioned earlier, the band that Chris Spedding was playing with that day was Sharks. Aside from Spedding, who at the time was unknown, despite his session credentials, the other awesome player in this band originally, was Andy Fraser, from Free. Nick Fisher and I had seen them January the 28th, 1973 at the Sundown in Edmonton. They were fabulous, kind of Free-ish, but Snips, the vocalist had a really unique voice, like a more tuneful version of Roger Chapman from Family, and of course Fraser was such a dynamic player. But by the time we saw them at the Alley Pally, Fraser had left, having been replaced by a bassist recommended to Snips by no other than Mick Jagger, Busta Cherry Jones. an excellent, if not more funky player, which changed the dynamic of the band somewhat. Spedding looked total Rock’n’Roll cool, and played a beautifully distorted, very tasteful Gibson Flying V guitar. And their material was very strong too, quite poppy, 70’s Rock, but to imagine they were anything like the 70’s archetype would do them a great injustice, they were a powerful unique band of great musicians.

By the time the very-loud-for-the-time 10cc came on, I was totally cheesed off, the Dolls had cancelled, with no reason given that I can recall. The time I nearly saw the ORIGINAL Dolls!

I saw the Feelgoods numerous times up until late ‘76(the Chancellor hall, Chelmsford, several times, and the Kursaal in Southend) and never saw them post Wilko, though I thought Gypie Mayo was a killer guitarist. Wilko and Lee WERE the Feelgoods, and aside from the beginning of the tidal wave called Punk, it seemed inconceivable to have the Feelgoods without Wilko! I saw Wilko, with Norman Watt Roy on bass, at Will’s niece’s birthday party, at the Berwick suite, a couple of summers back. He’s still fabulous, as is Mr Watt Roy, who I saw a number of times with Ian Dury.

The first time I saw the Pirates, was at Woods leisure centre in Colchester, in 1977, on their Skull Wars tour. My good friend at the time, Martin “Oats” Wheatley, had a punk / skateboard band called the Gremlins, who supported the Pirates that night. The Gremlins (surf speak for a “learner” surfer) were killer, kind of like the Barracudas when they did the “Summer fun” single, but a good deal more English. Oats was a fab player, seem to remember they skateboarded onto the stage, and launched into a punk / surf instrumental, thinking back, very much like the “Surf Tune” that Wade and the Clocks used to play! Oats went on to play piano and sax on the Accidents album “Kiss me on the Apocalips”, but sadly I lost contact with him after that. There is a Martin Wheatley that plays for a jazzer called Keith Nichols, on Radio Four, I’ve emailed Keith for more info. There’s also a video of Oats on youtube, playing the “Tiger Rag”, and though it’s almost 30 years since I saw him, it’s unmistakably him. Watch this space….

When the Pirates came on, to the tune of “Dead man’s chest” and sound effects of canons being fired, the reaction was monumental, even in those crazed, loud Punk times. And Hell they were loud! Dressed in their pirates garb from the 60’s, Mick Green had a sticker on his guitar, “I choked the Happy Hooker” I think it said. They literally bludgeoned the crowd with their loud, very aggressive, high energy R’n’B, they raised the roof and took our collective heads off!!! The Feelgoods were raw and rockin’, but these guys were on another level, turbocharged, if you will, the fullest sound you’re ever going to hear from a three piece band. And Mick Green’s guitar style was extra-ordinary, distorted, aggressive, shredding, but very controlled and precise. I seem to recall him playing more with just his hands rather than with a plectrum, and can picture him in my mind’s eye with his plectrum between his teeth at points in the gig. They didn’t overstay their welcome, probably played for less than an hour, the Punk archetype, but by goodness they made every minute count.

I saw them again, a couple of years back, at the Riga bar in Southend. Although Frank Farley, the original drummer, is no longer with them as a result of heart problems, they still rocked to the max, Mick Green playing as aggressive and attitudinal as ever, having done stints with Paul McCartney, Van Morrison, and Bryan Ferry, since I first saw the Pirates. I know it’s been said before, but along with Cliff and the Drifters, Billy Fury and Vince Taylor, the Pirates are one of the biggest influences in English Rock’n’Roll, and possibly the most original sounding. Where did Mick Green get the influence to thrash his guitar like that? Such a unique style and sound, Farley and Spence were obliged to whip up a storm behind that!

Well, the Rattlesnakes (as Second Offense are now called) have since played our first gig, at the Welcome Sailor on the 13th of September, with Les, the Surf Rats bassist standing in for Nigel, our regular bass player. The reaction was excellent, Lawrence, the guitar player, totally rocked in a Mick Green style. We’re doing our second gig at the Berwicks jam night, on the 12th of November.

Epilogue: Since this article was published, the Rattlesnakes have split, tho’ Ralph has asked me to play a one off gig as a tribute to Mick Green, who sadly passed away on the 11th of January 2010. God bless Mick…………

2 Comments »
2 Responses to “Dr Feelgood and The Pirates”

Alwills // Nov 13, 2008 at 8:25 pm

Great gig last night Tel. I would say that Lawrence must have some telepathy with Mick Green as his style is similar, but not a direct copycat, in the same way that you sang ‘Down TO The Doctors’ making it your own! :)

Great article, the best yet.

Terence Ruffle // Nov 16, 2008 at 12:50 pm
Thanks Al.
One piece of the tale I forgot to tell was the time the Accidents (at that point, Will, Paul and I)met Lee Brilleaux,at a gig where we supported Deano’s Marvels, at the Paddocks in Canvey Island, sometime in 1977.We were sitting in the bar, and who should stumble in, with two chaps virtually supporting him, but Lee. He was sat right next to us by his “minders”, and was shortly thereafter presented with a pint of beer and a sizeable short. To say he seemed incredibly drunk would be a massive understatement! We really wanted to talk to him, and as an indicator of how out of it he was, I decided to ask him the time!Well hey, I was only 20!
“Serler ler ler rer” I believe the answer was.
We decided against any further attempts at communication……
Got to say also, speaking of very drunk people, how come Micky Jupp called the song “Down at the Doctors”, when the lyrics run “Down TO the Doctors”?
The truth should be told! Must we fling this pop filth at our kids?